OpinionJournal - Taste: "Maybe so, maybe not. The famous flowering of anti-establishment films such as 'Easy Rider,' 'Midnight Cowboy' and 'Coming Home' petered out in a shower of cocaine, inflated egos and expensive flops. Of course, drugs may not be such a spoiler in the current cycle of art-film making. And now, as in the Vietnam era, there is a war on, producing a level of public anxiety that moviemakers with a message seek to tap into. All the same, it may be too early to celebrate a new age of the provoc-auteur.People go to the movies to be entertained. And liberal message films do not equal entertainment. The one exception being Farenheit 9/11. Michael Moore made the film entertaining through pop music sound effects and flashy cinematography. Is it a coincidence that it is the highest grossing "documentary"(that word is in quotes because propaganda is a more acurate word to describe this film, however it falls in to the documentary category in the record books) of all time? I think not.
The main reason, as always, is audiences. Their taste in entertainment, much lamented among the socially conscious, now runs to big, spangly movies full of wonder or to stories with a minimum of ideology and a maximum of happy endings. This helps explain why this year's best-film nominees, with their somber themes, did not attract notably large crowds compared with many other, less ambitious films. The combined U.S. box-office revenues of all five nominees, 'Brokeback Mountain,' 'Crash,' 'Munich,' 'Capote' and 'Good Night, and Good Luck,' added up to some $185 million in 2005. 'Star Wars: Episode III: Revenge of the Sith' made twice that. 'Harry Potter and the Goblet of Fire,' which opened only in November, has pulled in about $285 million."
Monday, February 06, 2006
OpinionJournal echos Fedora-Pundit
Heh that title is self congratulating I know. But I have previously said many of the same things talked about in this article over at OpinionJournal: